These are the translated lyrics of the song "Śivapūjaku chigurinchina sirisirimuvvā" from the Telugu film "Swarṇakamalam" (Golden Lotus). Alternative stanzas of this song are sung by the two principal thespians as a philosophical debate, on what is the very nature and objective of creative performance itself. Should that be a natural flow that seeks the most beautiful gifts in this world? Or should that be a meditative calm that brings one closer to the very heart of consciousness? These philosophical counterpoints on cultural evolution are very beautifully expressed in the immortal lyrics penned by the poet Sirivennela Sītārāmaśāstri, and sung in the melodious voice of Śrīpati Panḍitārādhyula Bālasubrahmanyam (Bālu) and Pulapāka Suśīla.
This is impeccably filmed by the genius eye of the director Kāśīnāthuni Viśvanāth, where the principal thespian Bhānupriyā regales the audience with the varied dance styles of India, both classical and folk. The counterpoint to her performance is provided by the thespian Venkatēsh, who sees the dancer through the poet's eye and wonders about what the objective of creativity should be.
Unfortunately, this scintillating achievement of Indian film is unknown to people beyond the Telugu speaking world. Hopefully, my translation will help bridge the gap, although it is impossible to convey the richness of the beauty present in the lyrics in the Telugu language.
Siri Siri Muvva (or) The bell on the dancer's anklet
Oh, you bell on the dancer's anklet that blossomed in worship to Shiva
Oh, you flower that blossomed by the soft dulcet steps of the dancer
Please provide the fragrance of musical accompaniment to the king of mendicants
Please sanctify our lives through the oblation of your dance.
Oh, you ship of imagination, keep sailing without breaking
The way will not be shortened if you bow your head to the waves
Oh, you vanquisher of the tempest that threatened you
Wouldn't the sweet lands wished by your soul come forward to wed you?
Oh, you damsel of twilight, for the sake of stars shining on the hood of the west, please don't wed the night
On the theatre of the east, as the danseuse of awakening, please spread the lights that would sparkle this earth
Let your movement be the hearkening welcome of consciousness
Let the sounds of your plucky heartbeat mould into the perennial sound of Om
As a plant whose very roots became its chains of binding, please don't stop waiting for the right season to arrive
There is a boundless beauty in this earth on all directions
Let the breezes of happiness drive you sailing (Oh, you ship of imagination)
Let a new song welcome you on each waking day
As the melodies of the moonlight drift along your side
The very grace of your nature is born in the moving steps of the feet
The expansion of beauty is the gift of the burning shafts of the sun
As the eye of the sun witnesses the awakening morning light of your performance
In the heart of the heaven's lake, blossomed the hundred petalled dazzling golden lotus
PS: This post is dedicated to Śrī S.P.Bālasubrahmanyam, who passed away today. It is impossible to recount the service he rendered to Indian culture and especially to the Telugu language. May he inspire many more creative artistes.
On the philosophical symbolism of the lotus in Indian culture, I wrote an introductory essay that can throw some deeper light on the meaning of the lyrics.
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+ The defense industry has a huge role to play in kickstarting the Indian startup ecosystem. So far, it has done none of this. When we don't have the right infrastructure, why would Indian engineers come back from wherever they are doing productive work?
Checking the rest of your blog.. pure gold!
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ReplyDeletevidalista
ReplyDeletevilitra
fildena
sildigra
namaskaram,
ReplyDeleteI am a faculty in IITH and running the IKS cell at IITH
https://iks.iith.ac.in/
I believe that we were in touch long time back as well.
Could you kindly get in touch with me as you get time?
namaste
Ramakrishna
ramakrishna@cse.iith.ac.in
The goal of language teaching should be first and foremost excellent capability in mother tongue. Everything else is secondary. So the order should be: 1) Mother tongue 2) Sanskrit 3) Optional whatever!
ReplyDeleteI agree 100% with your take here. If I can add anything, it is that India transitioned to English over 100+ years and trying to change it within a decade will only end up in failure. Inability to bring in a slow organic transition is the main reason we failed repeatedly. Start with social studies first. Then science..math...tech..medicine.